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CFP: A Celebration of Slashers

Call for Discussion Topics and Panel Proposals:

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A Celebration of Slashers
DePaul University
Now accepting submissions and ideas for the sixth annual Pop Culture Colloquium at DePaul University
in Chicago! DePaul University’s College of Communication is hosting a one-day celebratory colloquium
in honor of the Slasher genre on Saturday, April 28, from 9am-6pm. More details can be found at
popcultureconference.com.
This event will feature roundtable discussions from scholars and fans of slasher films (topics do not have
to focus on Halloween), including the Friday the 13th, Nightmare on Elm Street, and other franchises,
films, television series, video games, graphic novels, or et al. Our keynote speaker is Rachel Talalay,
director of Nightmare on Elm Street 5 as well as multiple television series (Doctor Who, Sherlock,
Riverdale, Flash, Supernatural, Reign…the list goes on.)
Participants may propose panels and topics about a broad array of ideas related to the genre and its
cultural impact. The Pop Culture Conference does not feature formal paper presentations, but speakers are
invited to have roundtable discussions themed around these topics. The audience for this event is both
graduate and undergraduate students, both fans and scholars.
If you’re interested in speaking on a roundtable, or want to propose a panel with 3-5 people, or have ideas
for other events/lectures, please send a 300 word abstract that proposes a significant topic of
discussion and a CV/resume to Pop Culture Conference (popcultureconference@gmail.com) by Jan
15, 2018. Please aim your abstracts for a more general audience and for a discussion rather than
traditional scholarly paper presentation. We will also have the opportunity to publish a longer version of
your talk in an update to our Time Lords and Tribbles book.
Potential topics include (but are not limited to):
– Slashers and gender
– Slashers and race
– Narrative and genre theories of slashers
– Changes in the horror genre
– Slasher/horror fandom
– The impact of particular directors, writers, or actors on the genre
– Teaching horror/slashers
– Adaptation within the slasher canon
– Case studies of slasher films
– What counts as a slasher?
For more information, please check out popcultureconference.com, and sign up for updates on Facebook
(search “A Celebration of Slashers”). We hope that you will be able to join in the discussion and
celebration!
A Celebration of Slashers
#DePaulSlashers
(DePaul University, April 28, 2018)

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“The Worlds of Whedon” Call for Proposals

 

 

“THE WORLDS OF WHEDON”

CALL FOR PROPOSALS

 whedon

 

Joss Whedon’s oeuvre includes writing, directing, and producing a number of hit television series, such as Buffy, the Vampire Slayer and its spin-off Angel, as well as cult favorite Firefly and its sequel motion picture Serenity, along with the controversial series Dollhouse. He is also a co-producer of Marvel’s Agents of S.H.I.E.L.D. Recent cinematic forays include The Cabin in the Woods, William Shakespeare’s Much Ado About Nothing along with the blockbusters, Marvel’s the Avengers and Avengers: Age of Ultron. Whedon’s works have spawned a legion of fans, who create various types of homages to him, including fiction, films, and other forms of creative works, such as jewelry, clothing, etc. In addition, academic scholarship about Whedon and his work has led to the establishment of the Whedon Studies Association along with a peer-reviewed journal, a number of conferences, and myriad books. Given this dedicated base of fans and scholars, McFarland is pleased to announce a new peer-reviewed series that will be edited by Sherry Ginn, author of Power and Control in the Television Worlds of Joss Whedon. Both monographs and edited collections are welcome.

More information can be found at the following website:

http://www.mcfarlandbooks.com/book-categories/worlds-of-whedon/

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Deadline extended – CFP Sydney Newman – Producing Television and Film Across Borders

Call for Proposals

Sydney Newman – Producing Television and Film Across Borders

Sydney Newman – Image from Doctorwhowatch.com

 

Probably best known as the creator of the long-running science fiction television series Doctor Who, Sydney Newman played a significant role in the production of television and film both in his native Canada and in the United Kingdom.  The Museum of Broadcast Communications describes Newman as “the most significant agent in the development of British television drama.”[1]  But this is only one aspect of Sydney Newman’s (1917-1997) professional experience.  Newman enjoyed a long and interesting career in broadcasting and films.  While his ‘claim to fame’ might very well be as creator of Doctor Who and The Avengers, he also worked at the Canadian Broadcasting Corporation as Supervising director of features, documentaries and outside broadcasts (1952-1958), the Associated British Corporation as head of Drama (1958-1962), the British Broadcasting Corporation as head of Drama (1962-1967), and the National Film Board of Canada as a film editor (1941-1949) and as Commissioner (1970-1975).  He then became a special advisor on film to the Canadian Secretary of State, and was Chief Creative Consultant for the Canadian Film Development Corporation (1978-1984).

His work at these institutions was critical in the development of Canadian and British broadcasting, and popular culture.  His influence was far-reaching.  But thus far, while there have been some studies which have taken into account the particular roles which he has played during his career, no study has taken into account his full career, to provide a more complete picture.

This peer-reviewed collection seeks to understand Sydney Newman’s career in both Canada and in Britain by curating a number of studies on his various professional roles and works. This includes providing an understanding of the world of broadcast television and film, in both countries during the 50s-70s, and the visions of culture he articulated in his work.   Articles can deal with specific aspects of his career, specific institutions, specific programs he developed, his influence as a producer/filmmaker, or administrator.  Biographical articles are also welcome.  The aim is that the collection taken as a whole will provide a balanced look at his varied career in two countries during periods of significant development and change in the entertainment industry of both.

[Please note that Sydney Newman’s Memoirs Head of Drama: The Memoir of Sydney Newman will be released by ECW Press on 5th September 2017.]

Proposals should be approximately two hundred words, and sent to gilliandoctor@gmail.com by the 30th of September 2017.  A decision will be communicated by the 30th of November, and final articles should be submitted by the 15 July 2018.

 

Gillian I Leitch, PhD

Independent Scholar

Co-Chair, Science Fiction Fantasy Area, PCA/ACA

 

 

 

 

Key Words: Canada, United Kingdom, National Film Board of Canada, Canadian Broadcasting Corporation, British Broadcasting Corporation, Associated British Corporation, television, film, policy, public broadcasting+

[1] http://www.museum.tv/eotv/newmansydne.htm [Accessed 2 April 2017]

sydney11

Sydney Newman, image from Doctorwhowatch.com

 

 

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CFP – National Conference!

SCIENCE FICTION AND FANTASY AREA

Conference of the Popular and American Culture Association (PCA/ACA)

28 – 31st March 2018 – Indianapolis, IN

 

One of the largest and most vibrant of the association, the Science Fiction and Fantasy (SF/F) Area invites proposals for its 2018 national conference to be held at the JW Marriott Hotel in Indianapolis. The goals of our area are (1) to share and support research, scholarship, and publication and (2) to mentor emerging scholars. As a result, we invite proposals from professors, independent scholars, graduate students, and undergraduates (with the guidance of a professor).

 

PCA/ACA SF/F welcomes any theoretical or (inter)disciplinary approach to any topic related to SF/F:  art; literature; radio; film; television; comics and graphic novels; video, role-playing, and multi-player online games.  The SF/F Area is also interested in featuring science fiction and fantasy writers and poets. Creative writers are welcomed.

 

Special Session(s)

 

The New Women: Superheroes and Anti-heroes

 

The new Wonder Woman film has brought to light the portrayal of the women in superhero genre films and comics.  This special session invites proposals for papers or roundtables that discuss the role, performance and relationships of women in action movies and comics. Examples for discussion are Gamora, Nebula, Black Widow, Jessica Jones, Harley Quin, Captain Marvel and Wonder Woman.

 

When proposing for a special session please clearly indicate this, and contact the area chairs pcasff@gmail.com to ensure that your paper is considered for the appropriate session.

 

Submission Guidelines:  In Word (.doc/.docx), Rich Text Format (.rtf), or PDF, completed papers or 250-word proposals for individual papers, or creative writing readings should be submitted through the PCA website and only through the PCA website. If you wish to submit a panel for the conference, all presenters must submit individually through the website, and then notify the Area Chairs of your intentions to present together. Please do not include panel colleagues on the electronic submission as this confuses the program.  Instructions for submission can be found at www.pcaaca.org/conference/instructions.php and submissions made at http://ncp.pcaaca.org .

 

Submissions can be made on the site after July 1st, 2017.

 

The document should contain the following information in this order:

 

  • Name of presenter—indicate main contact person if submitting a multi-authored paper
  • Institutional affiliation—if applicable
  • Name and contact information of Supervising professor—undergraduates only
  • Address(es), telephone number(s), and current email address(es) of presenter(s)
  • Title of paper
  • Completed paper(s) or 250-word proposal(s)—if submitting a workshop, please specifically indicate what those in attendance will gain

 

Roundtables and special sessions can only be created by Area Chairs—if you wish to organize one of these sessions, please contact the Area Chairs, who will create the event for you in the schedule. Note that beginning with the 2015 conference, ALL areas are limited in the number of roundtables that can be held. If you wish to propose one, then do so as soon as possible.

The proposal will be acknowledged within 2 days of its receipt, and the sender will be notified of the submission’s status no later than 15th October 2017.  Please be aware that acknowledgement of receipt does not automatically denote acceptance.  Deadlines for submission are firm, and we cannot accept any papers made after the deadline.  Earlier submission is appreciated.

 

Please, do not simultaneously submit the same proposal to multiple areas. Doing so is a discourtesy to area chairs, and will result in your paper being refused. Per PCA/ACA guidelines, a person may present only one paper at the annual meeting, regardless of subject area. If you try to submit to two areas, the master program will not accept your proposals (which may result in your paper not being accepted in either area).

 

 

Submission Deadline:  1 October 2017

 

Each year the SF/F Area hosts a fundraising event that includes a film, snacks, and a prize raffle of DVDs, novels, academic books, etc.—thousands of dollars in merchandise. Come enjoy the food, friendship, and fun! This year’s movie will be a science fiction film, TBD. Fundraising supports area activities and, beginning with the 2011 conference, awards to the two best papers, graduate student and professional. The Student Award includes a cash prize. More details about these awards can be found at the area’s website: www.pcasff.wordpress.com. We do accept donations of items for the raffle, so if your shelves are starting to bulge under all of your SF/F memorabilia, ask yourself if you really need 3 Thor action figures. If not, then donate that stuff to us.

 

Please be aware that the PCA offers several (highly competitive) travel bursaries and deadlines for them are the 7 January 2018.  Check the PCA website www.pcaaca.org for more information.

 

 

Hope to see you in Indianapolis!

 

PCA/ACA SF/F Area Chairs

 

Gillian I Leitch, Sherry Ginn and Heather M Porter

 

 

 

Direct all enquiries to our email address:   pcasff@gmail.com

 

NOTE: While the PCA/ACA welcomes fresh approaches to subjects, we also appreciate serious commitment to scholarship and to presenting at the conference.

 

Please note that this is a professional conference and once you are accepted, your presentation becomes integral to the success of the event.  If you must cancel, please notify the Area Chairs of your withdrawal as soon as you know.  Failure to do so will impact future opportunities to present at this conference.

 

Next year’s conference will commence early Wednesday morning. Be advised that your panel will be assigned a time randomly by the master scheduler. We cannot change the schedule after it is completed, so please ensure that you will be able to attend the entire conference before you submit your proposal. In other words, clear your schedule from Wednesday through Saturday. We will notify you of your exact presentation time as soon as we can, but know that the program is not likely to be completed before December 1st; make your hotel reservations as soon as possible. The number of reserved rate hotel rooms is limited.

 

Please consult our handy guide for proposing here:

https://pcasff.wordpress.com/a-guide-to-academic-and-professional-conferences-or-how-not-to-be-killed-or-ridiculed-by-your-colleagues/

 

 

 

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CFP: Apocalyptic Television, 2017

Science fiction has always indicated that it is a matter of when—not if—some kind of Apocalypse will occur. When it does, what will happen to the organisms that inhabit Planet Earth? Will humans revert to some type of proto-human? Will they “rise” to the occasion and create something better? Will the strong survive, only to subjugate the weak? Will we come together as human beings to build new civilizations, or devolve as a species competing for scant resources in an environment inhospitable to our very existence? Science fiction has long explored the means and outcomes of apocalyptic cataclysms, and scholars have likewise expended considerable time and energy considering the artistic, cultural, and intellectual responses to the worst possible catastrophes the human mind can devise.

            Michael G. Cornelius and Sherry Ginn are proposing a new collection of essays specifically to examine various televisual treatments of the Apocalypse. We are particularly interested in the serialization of the end of the world. The Apocalypse, after all, is an event, a singular happening with a cause, an outcome, and a response. Yet the nature of television prolongs some or all of these aspects of the end. Television allows for an extended examination of this singular (and singularly defining) event. What has this extended observation indicated about humanity? How does the nature of the Apocalypse alter when we revisit it week after week? What does it mean when the end of the world might never actually end?

Below you can find a suggested listing of series that we would like to see discussed. This list is by no means exhaustive, and we welcome essays on any series that meets the post-Apocalyptic theme in some capacity or another. We are hoping for works that reflect the storied variety of series that have depicted some version of the Apocalypse on television, not simply those that are currently on the air. The editors plan on accepting only one essay per series (though we will also look at essays that tackle the subject matter more broadly as well). Please send a 500-word abstract and CV by the deadline indicated below.

The deadline for formal proposals is 1 August 2017, with notification of acceptance by 10 September. A first draft is expected by 1 January 2018 with final drafts due 1 June 2018. The collection is to be published by Lexington Books (a subsidiary of Rowman & Littlefield).

Please email DoctorGinn@gmail.com with your proposals and any questions you may have concerning the project.

Sherry Ginn, PhD

Rowan Cabarrus Community College

1531 Trinity Church Rd

Concord, NC 28027

USA

 


Casshan (1973-1974)

Planet of the Apes (1974, TV series)

The Changes (1975)

Survivors (1975-1977)

Ark II (1976)

Battlestar Galatica (1978-1979)

Thundarr the Barbarian (1980-1981)

The Tripods (1984-1985)

V (1984-1985)

War of the Worlds (1988-1990, TV series)

Not with a Bang (1990)

Woops! (1992)

Cadillacs and Dinosaurs (1993-1994)

Earth 2 (1994-1995)

Dragon Flyz (1996-1997)

Deepwater Black / Mission Genesis (1997)

Crusade (Babylon 5 spinoff, 1999)

The Last Train (1999)

Blue Gender (1999-2000)

Thunderstone (1999-2000)

The Tribe (1999-2003)

Chris Colorado (2000)

Cleopatra 2525 (2000-2001)

Dark Angel (2000-2002)

2030 CE (2002-2003)

Jeremiah (2002-2004)

Desert Punk (2004-2005)

Battlestar Galatica (2004-2009)

Jericho (2006-2008)

Grand Star (2007-2008)

Casshern Sins (2008-2009)

Terminator: The Sarah Connor Chronicles (2008-2009)

Survivors (2008-2010)

Power Rangers R.P.M. (2009)

Life After People (2009-2011)

V (2009-2011)

The Walking Dead (2010-)

Terra Nova (2011)

El Barco (2011-2013)

Falling Skies (2011-2015)

Day Zero (2011-)

Revolution (2012-2014)

Under the Dome (2013-2015)

Attack on Titan (2013-)

Dominion (2014-2015)

Guardians Evolution (2014-2015)

Knights of Sidonia (2014-2015)

The 100 (2014-)

The Last Ship (2014-)

The Leftovers (2014-)

The Strain (2014-)

Z Nation (2014-)

The Refugees (2015)

You, Me and the Apocalypse (2015-2016)

12 Monkeys (TV series, 2015-)

Between (2015-)

Fear The Walking Dead (2015-)

Into the Badlands (2015-)

The Last Man on Earth (2015-)

Zoo (2015-)

Aftermath (2016)

Containment (2016)

3% (2016-)

Colony (2016-)

Kabaneri of the Iron Fortress (2016-)

Travelers (2016-)

Van Helsing (2016-)

Extinct (2017-)

 

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Call for Papers – Star Trek Voyager, 2017

[CFP] Star Trek: Voyager

deadline for submissions: 

Oct. 28 2017

full name / name of organization: 

Robert L. Lively/Truckee Meadows Community College

contact email: 

rlively@tmcc.edu

In 1995, Star Trek: Voyager launched in a way very different from its predecessor series.  Voyager took place thousands of light years from the Federation, and it contained a multi-ethnic crew with a female captain.  Voyager, in a sense, encapsulated the American zeitgeist of the 1990s when major demographic changes were transforming the population of America, and the post-Cold War era left us wondering what strategic alliances would mean moving forward. The series challenged the nature of the American mindset at the time.

This edited collection attempts to ask the questions, what can we learn from Voyager looking back on the series, and in what ways does Voyager show us a path forward as the world is still changing demographically and politically? It is in this spirit that we invite proposals of 250-300 words dealing with literary, political, historical, and/or other critical interpretations of the series or characters.

McFarland Publishers has expressed strong interest in the collection.

Abstracts (300 words max) are due for submission on 28 Oct. 2017. Please send your abstracts, together with a short bio (100 words max), to the editor of the collection, Robert L. Lively/ rlively@tmcc.edu. Authors whose abstracts are accepted for inclusion will be notified by 30 Nov. 2017. Full chapters of 6,000-7,000 words in MLA format will be due on 1 May 2018.

 

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