Related Calls for Papers

Wilson College Humanities Conference

 

The Alien and The Aliens: Difference, Otherness, and “Little Green Men”

 

Saturday, February 25, 2017
10:00am-5:00pm

Held in the Brooks Complex of Wilson College

Chambersburg, PA

 

sponsored by Wilson’s M.A. in Humanities Program

 

The theme of this year’s Wilson College Orr Forum is concerned with inequality, from social justice to wealth and status to the veritable “Eye of the Needle,” referencing the New Testament story about a rich man asking Jesus what is needed for salvation. Wilson’s annual Humanities Conference seeks to broaden this theme by focusing on concepts of alienation and alien-ing—on that which causes us to create or notice difference, and that which causes us to react to those differences as well.

 

The Other suggests that which is of society but still different from it—meaning that the Other is recognizable as an element of society, even if originating elsewhere. The Alien, though, suggests some things—beings, concepts, people, ideas, beliefs, values, systems—that seemingly differ so much that they must originate from outside of society—from other worlds and outer spaces, metaphorically or (in some cases) literally. Aliens, after all, in their most basic definition, are beings not of this Earth, and as such, they are strange to us indeed.

 

This conference looks to how the various fields represented by the Humanities explore our own relationship to these concepts of The Alien and The Aliens. How can we use the Humanities to make sense of that which seems so different? How can we use what we study to understand more about our own fears and fascinations for what is seen as dissimilar, and strange, and unusual? Or, conversely, how does the Humanities bridge the gap between The Alien and what is deemed socially normative, or socially desirable, or simply capable of being comprehended?

 

Please feel free to interpret the theme of this conference liberally. Our goal is to bring a group of Humanities scholars from around the region together to articulate and celebrate these always intriguing and confounding questions of difference, o/Otherness, inequality, alienation, and, yes, even little green men and women; we hope to use this conference to explore all relevant aspects of what is alien.

 

Faculty, graduate students, and independent scholars are invited to submit.

 

Undergraduate students may also submit abstracts, but their submission must be sponsored by a current faculty member at their institution. (For more on this, please contact the conference director.)

 

To submit a presentation, please send an abstract of approximately 200 words to the email address below.

 

Send abstracts to:

Dr. Michael G. Cornelius

Program Director, MA in Humanities

Wilson College

mcornelius@wilson.edu

 

Submit the abstract as either a .rtf, .doc, or .docx file, or simply place it into the text of the email itself.

 

Individual presentations will last no more than 15 minutes; panels of up to 3 individuals may be submitted as well. Special panels or creative approaches are happily considered; please contact the conference director for more information. Each conference participant may submit only one abstract. Abstracts are due by JANUARY 15, 2017.

 

The conference is sponsored by Wilson’s M.A. in Humanities program, in conjunction with the Orr Forum 20176-17 Lecture and Performance Series.

 

Call for Proposals

“Considering Sydney Newman”

 

sydney11

Sydney Newman, image from Doctorwhowatch.com

In light of the recent fiftieth anniversary of the long-running science fiction television series Doctor Who, it seems only fair that some attention be paid to its creator Sydney Newman (1917-1997).  Newman enjoyed a long and interesting career in broadcasting and films.  While his ‘claim to fame’ might very well be as creator of Doctor Who and Avengers, he also worked at the Canadian Broadcasting Corporation as Supervising director of features, documentaries and outside broadcasts (1952-1958), the Associated British Corporation as head of Drama (1958-1962), the British Broadcasting Corporation as head of Drama (1962-1967), and the National Film Board of Canada as a film editor (1941-1949) and as Commissioner (1970-1975).  He then became a special advisor on film to the Canadian Secretary of State, and was Chief Creative Consultant for the Canadian Film Development Corporation (1978-1984).

 

His work at these institutions was important in the history of Canadian and British broadcasting, and popular culture. His influence was far-reaching.  But thus far, while there have been some studies which have taken into account the particular roles which he has played during his career, no study has taken his roles together, to provide a more complete picture.

 

This peer-reviewed collection seeks to understand Sydney Newman in relation to his long career in Canada and in Britain. Articles can deal with specific aspects of his career, specific institutions, specific programs he developed, his influence as a producer/filmmaker, or administrator.  Biographical articles are also welcome.

The aim is that the collection taken as a whole will provide a balanced look at his varied career in two countries during periods of significant development and change in the entertainment industry.

 

Proposals should be approximately two hundred words, and sent to gilliandoctor@gmail.com by the 1st of September 2016.  A decision will be communicated by the 15th of September, and final articles should be submitted by the 15 May 2016.

 

Gillian I Leitch, PhD

Independent Scholar

Co-Chair, Science Fiction Fantasy Area, PCA/ACA

 

 

 

 

Key Words: Canada, United Kingdom, National Film Board of Canada, Canadian Broadcasting Corporation, British Broadcasting Corporation, Associated British Corporation, television, film, policy, public broadcasting

 

CFP: The Romance of Science Fiction/Fantasy, 2016

Capture

CALL FOR PAPERS:  The Romance of Science Fiction / Fantasy

Deadline: September 30, 2016

 

Whether we consider romance novels incorporating elements of the fantastic, the future, or the alien, or works of Science Fiction/Fantasy exploring love, desire, and other aspects of romantic culture, the relationship between these genres has been enduring and productive. Following up on a series of joint panels at the 2016 national conference of the Popular Culture Association, the Journal of Popular Romance Studies calls for papers for a special issue on the intersections between romance and science fiction/fantasy in fiction (including fan fic), film, TV, and other media, now and in the past, from anywhere in the world.  This special issue will be guest edited by Gillian I. Leitch, PCA co-chair for SF/Fantasy, and Erin Young.

 

Contributions might consider questions like the following, either in terms of particular texts (novels, films, TV shows, etc.) or in terms of genre, audience, and media history:

 

  • How has the intersection of these two popular genres opened up new possibilities in conceptualizing gender, desire, sexuality, love, courtship, or relationship structure, not just recently, but since the earliest years of SF/Fantasy?
  • How has their intersection allowed us to see existing concepts of gender, desire, sexuality, love, courtship, and relationship structure in fresh or critical ways?
  • How have authors, filmmakers, producers, and fans played these genres against one another, for example by using romance to critique traditions in SF/F, or SF/F to critique the tropes of romance? How has this counterpoint been explored by authors, filmmakers, producers, and fans of color, or by LBGTQIA creators and audiences?
  • How might reading classics of SF/F as romance change our perception of them: works like Dune and the Witch World novels, The Left Hand of Darkness, or even E.E. “Doc” Smith’s Lensman series, which are threaded on a tale of eugenic love?
  • What happens to works of paranormal, futuristic, or time-travel romance when we read them through the lenses provided by SF/Fantasy Studies?
  • What happens when teaching works of SF/Fantasy and popular romance? How do these genres co-exist or compete in pedagogical experience or classroom practice?
  • How do works of SF/Fantasy and popular romance coexist and interact in library ecosystems? What issues arise in terms of collection development, readers advisory, or community engagement?

 

Papers of between 5,000 and 10,000 words, including notes and bibliography, should be sent to Erin Young (managing.editor@jprstudies.org). To facilitate blind peer review, please remove your name and other identifying information from the manuscript.  Submissions should be Microsoft Word documents, with citations in MLA format.

 

The Journal of Popular Romance Studies is a double-blind peer reviewed interdisciplinary journal exploring popular romance fiction and the logics, institutions, and social practices of romantic love in global popular culture. JPRS is available without subscription athttp://jprstudies.org.

 

CALL FOR PAPERS

heroes

 

CFP: Seeing What We’ve Become: Essays Examining Heroes and Heroes: Reborn

Editor Heather M Porter invites proposals or completed essays for an edited collection of scholarly works that explore Tim Kring’s Heroes (2006-2010) and the upcoming new incarnation of the series as a mini series Heroes: Reborn (2015).  Proposals are sought on a variety of topics as diverse disciplinary approaches.

Though not prescriptive, the following list of topics may be productive to consider:

The reboot of the series in terms of production, narrative, and history of reboots.  Multimedia platform presentations of the narrative (comics, web episodes and TV)

Personal Identity                                             Race Relations

Group Identity (Us vs them)                       Philosophy and Ethics

Role of Heroes and Villains                          Psychopathology

Technology                                                         Violence

Superheroes and Super Powers                                Production and Network Influence

Time Travel                                                         Fan Response

Corporate Identity

 

It is strongly recommended authors familiarize themselves with these publications to extend and/or challenge published analyses of the series.

  • Johnson, David Kyle ed., Heroes and Philosophy: Buy the Book Save the World, Hoboken, NJ, John Wiley & Sons, 2009
  • Porter, Lynette, David Lavery and Hillary Robson, Saving the World A Guide to Heroes, Toronto, ECW Press, 2007
  • Simmons, David ed, Investigating Heroes: Essays on Truth, Justice and Quality TV, Jefferson, McFarland & Company, 2012.

Queries and Submissions

Queries are welcomed: please email to PorterHeatherM@gmail.com and indicate that it is a “Heroes Query/Proposal/Paper” in the subject line.  Send 350-500 word proposals or 5,000-7,000 word essays in Microsoft Word or Rich Text Format (RTF) to the same email address.  Please provide a brief biography in a separate document or in the body of the email.

Proposals due: 15 January 2016

Notification of Acceptance: 1 March 2016

 

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