Ethics and Culture
This series focuses on scholarly books that will be of interest to
both academics and non-academics. The books should contain
new, original material and explore various areas where scholarly
debates intersect with cultural concerns.
What We Want
Book Length Manuscripts
For example, T. Furman, The Ethics of Poker (978-1-4766-6461-3)
For example, T. Samek and L. Shultz, Information Ethics, Globalization,
and Citizenship: Essays on Ideas to Praxis (978-1-4766-6772-0 )
Categories of interest include but are not limited to debates in healthcare,
science, genetic enhancement, free speech, journalism, literary genre,
sports, gaming, politics, business, performing arts, immigration, technology,
disability, environment, urban space, law enforcement, protest, and
Have an Idea?
James M. Okapal
“Becoming an Author”
For general information
Call for Papers
Batman in Popular Culture Conference
Friday, April 12 and Saturday April, 13 2019
Bowling Green State University Bowling Green, Ohio, USA
The Department of Popular Culture and the Browne Popular Culture Library at Bowling Green State University in Bowling Green, Ohio are proud to announce the Batman in Popular Culture Conference on Friday, April 12 and Saturday, April 13, 2019. The Batman in Popular Culture conference aims to examine Batman in Popular Culture in all mediums and media. It is intended to serve as a space for academics, graduate students, comic industry professionals, retailers and fans to engage in dialogue about topics related to Batman in its many media forms, mediums and cultural influence in popular culture and beyond. The scope of this conference is deliberately broad, with the intention of highlighting the interdisciplinary nature and many different avenues of research possible related to Batman in Popular Culture.
Possible topics might include but are not limited to:
- Textual analysis of graphic novels, storylines, other texts related to Batman
- In-depth analysis of particular authors & artists work related to Batman
- The development of supporting characters, villains, and themes within the Batman mythos
- Batman in Popular Music
- Batman in Film, Television, and Animation
- The rise of Batman-centric podcasts
- Batman as a mass merchandising phenomenon
- Batman VS. Superman
- Batman and video games
- The role of diversity issues (race, gender, ethnicity, sexuality) within Batman’s world
- Batman within the Comics Industry (writing, drawing, retailing, etc.)
- Batman art and covers across the decades
- How authors build an audience in an era of subgenre specialization
- Reception and fan communities for Batman and the superhero genre
- Digital Humanities approaches to Comics and Mass Media Studies with emphasis on Batman
We welcome individual proposals or pre-formed panels that address any or all of these themes. As the conference seeks to provide a multitude of perspectives, academic presentations and those from outside the academy are welcome.
Please send a 300-word abstract describing your individual presentation to firstname.lastname@example.org with “Batman in Popular Culture” in the subject line. (Panel, roundtable, performance, and artistic display proposals should include a 300 proposal for each individual and a 500-word proposal explaining the group presentation.) Submissions should be sent in a document attachment with the following information:
Institutional Affiliation (if applicable)
Presentation Title and Abstract
Deadline for Submissions is Monday, December 30, 2018.
CFP – Re-entering Joss Whedon’s Dollhouse – Sept 1 2018
Co-editors Heather M. Porter and Michael Starr invite proposals or completed essays for an edited collection of scholarly works that explore Joss Whedon’s science fiction television series Dollhouse (2009-2010). Though arguably Whedon’s most provocative foray into television, Dollhouse has thus far been subject to limited academic analysis in comparison to his other works, something this collection is aiming to redress. Indeed, Dollhouse’s meditations upon corporate control of the individual and female autonomy have grown ever more prevalent in the light of contemporary socio-political developments and the #metoo movement, and are hence ripe for further investigation.
Proposals should demonstrate not only a clear methodology and strong thesis but also a
familiarity with prior and current conversations and publications about the series, and the Whedonverse in general. The anticipated collection seeks to showcase a range of theoretical lenses; we are hence interested in a variety of topics as well as diverse disciplinary approaches. Though not prescriptive, it may be productive to consider the following list of topics:
Dollhouse and the #metoo movement
Recent controversy surrounding Joss Whedon’s feminism
The influence and legacy of Dollhouse on television (e.g. HBO’s Westworld)
Dollhouse and the current and expanding corporate influences on government
The construction of sexuality and/or gender
Queer identity and Theory
The Posthuman Body
The Dollhouse Comics
Philosophy and Ethics
Paratexts or production elements
We strongly recommend authors familiarize themselves with these publications to extend and/or challenge published analyses of the series:
Espenson, Jane, ed. Inside Joss’ Dollhouse: From Alpha To Rossum. Dallas, TX: Benbella,
Ginn, Sherry, Heather M. Porter and Alyson Buckman, eds. Joss Whedon’s Dollhouse:
Confounding Purpose, Confusing Identity. Lanham, MD: Rowman & Littlefield, 2014.
All essays in the Dollhouse Issue of Slayage: The Journal of the Whedon Studies
Association. Volume 8.2/3, Summer/Fall 2010.
Selected writings on Dollhouse in:
Ginn, Sherry. Power and Control in the Television Worlds of Joss Whedon. Jefferson, NC:
McFarland and Company, 2012.
Iatropoulos, Mary Ellen and Lowery A. Woodall III, eds. Joss Whedon and Race. Jefferson,
NC: McFarland and Company, 2016.
Kitchens, Juliette C. At Home in the Whedonverse: Essays on Domestic Place, Space and Life. Jefferson, NC: McFarland and Company, 2017.
Waggoner, Erin B. Sexual Rhetoric in the Works of Joss Whedon. Jefferson, NC: McFarland and Company, 2010.
The Whedonology Academic Whedon Studies Bibliography, available at:
Queries and Submissions:
Please send queries and abstracts for proposed chapter-length original work (350-500
words) to email@example.com (subject line: Dollhouse Collection).
Proposals should be submitted no later than September 1, 2018. Selected contributors will be notified by October 1, 2018. We suggest but do not require that proposals include a working bibliography. Please provide in a separate document or in the body of the email a brief author biography and selected list of prior publications/conference presentations. We are currently discussing the book proposal with a publisher who is very interested in the collection, hence are working on a production timeline which would tentatively allow the book a 2020 publication date.
We invite you to take part in the Russian Society of American Culture Studies
XLIV International conference of the Russian Society of American Culture
Studies will be held December 6-19, 2018 at Lomonosov Moscow State
University Journalism Department. Its theme – “America and Europe: Forms
of Cultural Interaction”.
Sections: Journalism, American Culture of the 17th -19th Centuries,
Contemporary culture, Ethnic Contribution, Gender, Fantastic in the Arts,
Canadian perspectives. Also a traditional Round Table discussion: Imprints –
Image of America and Image of Russia will be held. You are welcome to suggest your own panel (no less than 3 participants).
Deadline – May 15, 2018.
Official languages of the conference are English and Russian. All participants
will understand papers given in English and will provide an English resume of
their talk, if given in Russian.
The deadline for abstracts – September 15, 2018 (half a page). Please send
them to all to firstname.lastname@example.org On the basis of delivered and discussed
papers, an annual bilingual collection is published.
Conference fee $ 100 US, payable upon arrival, includes also an excursion to
Kremlin and a farewell party.
Information about visa support: As it is a lengthy process – please send the
needed materials [copy of two first pages of passport and info on place of birth
(city and country), affiliation and position, office address, phone and fax
numbers, place of visa application, dates of arrival and departure] to the
address email@example.com no later than September 20, 2018. See you at our conference!
Larisa Mikhaylova, RSACS Secretary
Wilson College Humanities Conference
The Alien and The Aliens: Difference, Otherness, and “Little Green Men”
Saturday, February 25, 2017
Held in the Brooks Complex of Wilson College
sponsored by Wilson’s M.A. in Humanities Program
The theme of this year’s Wilson College Orr Forum is concerned with inequality, from social justice to wealth and status to the veritable “Eye of the Needle,” referencing the New Testament story about a rich man asking Jesus what is needed for salvation. Wilson’s annual Humanities Conference seeks to broaden this theme by focusing on concepts of alienation and alien-ing—on that which causes us to create or notice difference, and that which causes us to react to those differences as well.
The Other suggests that which is of society but still different from it—meaning that the Other is recognizable as an element of society, even if originating elsewhere. The Alien, though, suggests some things—beings, concepts, people, ideas, beliefs, values, systems—that seemingly differ so much that they must originate from outside of society—from other worlds and outer spaces, metaphorically or (in some cases) literally. Aliens, after all, in their most basic definition, are beings not of this Earth, and as such, they are strange to us indeed.
This conference looks to how the various fields represented by the Humanities explore our own relationship to these concepts of The Alien and The Aliens. How can we use the Humanities to make sense of that which seems so different? How can we use what we study to understand more about our own fears and fascinations for what is seen as dissimilar, and strange, and unusual? Or, conversely, how does the Humanities bridge the gap between The Alien and what is deemed socially normative, or socially desirable, or simply capable of being comprehended?
Please feel free to interpret the theme of this conference liberally. Our goal is to bring a group of Humanities scholars from around the region together to articulate and celebrate these always intriguing and confounding questions of difference, o/Otherness, inequality, alienation, and, yes, even little green men and women; we hope to use this conference to explore all relevant aspects of what is alien.
Faculty, graduate students, and independent scholars are invited to submit.
Undergraduate students may also submit abstracts, but their submission must be sponsored by a current faculty member at their institution. (For more on this, please contact the conference director.)
To submit a presentation, please send an abstract of approximately 200 words to the email address below.
Send abstracts to:
Dr. Michael G. Cornelius
Program Director, MA in Humanities
Submit the abstract as either a .rtf, .doc, or .docx file, or simply place it into the text of the email itself.
Individual presentations will last no more than 15 minutes; panels of up to 3 individuals may be submitted as well. Special panels or creative approaches are happily considered; please contact the conference director for more information. Each conference participant may submit only one abstract. Abstracts are due by JANUARY 15, 2017.
The conference is sponsored by Wilson’s M.A. in Humanities program, in conjunction with the Orr Forum 20176-17 Lecture and Performance Series.
Call for Proposals
“Considering Sydney Newman”
In light of the recent fiftieth anniversary of the long-running science fiction television series Doctor Who, it seems only fair that some attention be paid to its creator Sydney Newman (1917-1997). Newman enjoyed a long and interesting career in broadcasting and films. While his ‘claim to fame’ might very well be as creator of Doctor Who and Avengers, he also worked at the Canadian Broadcasting Corporation as Supervising director of features, documentaries and outside broadcasts (1952-1958), the Associated British Corporation as head of Drama (1958-1962), the British Broadcasting Corporation as head of Drama (1962-1967), and the National Film Board of Canada as a film editor (1941-1949) and as Commissioner (1970-1975). He then became a special advisor on film to the Canadian Secretary of State, and was Chief Creative Consultant for the Canadian Film Development Corporation (1978-1984).
His work at these institutions was important in the history of Canadian and British broadcasting, and popular culture. His influence was far-reaching. But thus far, while there have been some studies which have taken into account the particular roles which he has played during his career, no study has taken his roles together, to provide a more complete picture.
This peer-reviewed collection seeks to understand Sydney Newman in relation to his long career in Canada and in Britain. Articles can deal with specific aspects of his career, specific institutions, specific programs he developed, his influence as a producer/filmmaker, or administrator. Biographical articles are also welcome.
The aim is that the collection taken as a whole will provide a balanced look at his varied career in two countries during periods of significant development and change in the entertainment industry.
Proposals should be approximately two hundred words, and sent to firstname.lastname@example.org by the 1st of September 2016. A decision will be communicated by the 15th of September, and final articles should be submitted by the 15 May 2016.
Gillian I Leitch, PhD
Co-Chair, Science Fiction Fantasy Area, PCA/ACA
Key Words: Canada, United Kingdom, National Film Board of Canada, Canadian Broadcasting Corporation, British Broadcasting Corporation, Associated British Corporation, television, film, policy, public broadcasting
CALL FOR PAPERS
CFP: Seeing What We’ve Become: Essays Examining Heroes and Heroes: Reborn
Editor Heather M Porter invites proposals or completed essays for an edited collection of scholarly works that explore Tim Kring’s Heroes (2006-2010) and the upcoming new incarnation of the series as a mini series Heroes: Reborn (2015). Proposals are sought on a variety of topics as diverse disciplinary approaches.
Though not prescriptive, the following list of topics may be productive to consider:
The reboot of the series in terms of production, narrative, and history of reboots. Multimedia platform presentations of the narrative (comics, web episodes and TV)
Personal Identity Race Relations
Group Identity (Us vs them) Philosophy and Ethics
Role of Heroes and Villains Psychopathology
Superheroes and Super Powers Production and Network Influence
Time Travel Fan Response
It is strongly recommended authors familiarize themselves with these publications to extend and/or challenge published analyses of the series.
- Johnson, David Kyle ed., Heroes and Philosophy: Buy the Book Save the World, Hoboken, NJ, John Wiley & Sons, 2009
- Porter, Lynette, David Lavery and Hillary Robson, Saving the World A Guide to Heroes, Toronto, ECW Press, 2007
- Simmons, David ed, Investigating Heroes: Essays on Truth, Justice and Quality TV, Jefferson, McFarland & Company, 2012.
Queries and Submissions
Queries are welcomed: please email to PorterHeatherM@gmail.com and indicate that it is a “Heroes Query/Proposal/Paper” in the subject line. Send 350-500 word proposals or 5,000-7,000 word essays in Microsoft Word or Rich Text Format (RTF) to the same email address. Please provide a brief biography in a separate document or in the body of the email.
Proposals due: 15 January 2016
Notification of Acceptance: 1 March 2016